You Know You're An Historical Fiction Novelist When...

I recently enjoyed a cup of coffee with a new friend who asked me lots of questions about my first historical fiction novel, A Decent Woman. That's fun for me because if the person is interested, our time spent together can often turn into a mini interview. Good practice for my future as a published author, I thought.

Well, the "interview" reminded me that I still don't have my mini synopsis down pat...what a pain. I wrote a book and have begun writing novel number two, but telling you what my first novel is about in one sentence is tough. Not an easy feat for a wordy woman such as myself. 

You know you're an historical fiction writer when a simple walk to the corner store turns into a short story. That's me. I'll tell you what streets I was on, what I saw and experienced during my walk, and the cast of characters I interacted in and around the store. I might even tell you the history of that store and may even have a little story about the owner(s) to set the stage so you can experience the walk with me. That's me and my close friends can vouch for that.

I've worked on my novel synopsis for a year. I know that seems nuts, but trust me--it isn't easy to write one sentence about your book. An historical novel has so many parts to the whole. You write about the past, present and future of a time and place while telling the story through the eyes of single a character or many characters.

How can I whittle down a 7,800 word plus novel in one sentence? I have to, so I plug along! Here's what I've come up with and for the moment an happy with...until I'm not happy with it.

A Decent Woman is the story about Ana Belen, born of Afro-Cuban slaves, who lives in 1900 Puerto Rico where she fights society for the rights of women and male doctors for the right to continue practicing midwifery, while striving to survive as a proud, but poor, uneducated woman on a Caribbean island ceded by Spain to the United States by after the Spanish-American War.

That's my novel in a nutshell. A large coconut of a synopsis when I need a walnut-size synopsis. Sheesh.

What do you think? Does that work and would you read this book?

Ellie

That Important Last Read

How many times have you read your novel-in-progress from start to finish? Can you read your novel without wanting to change every other sentence you read?

I have a hard time with this! I've read individual chapters...oh, I would say about 100+ times and I've read the complete manuscript four times. It's time to read my novel again and today is that day.

It's a rainy, grey morning in West Virginia.  A perfect day for writing and reading; tomorrow promises to be as gloomy a day as today. Strange, right? Well, I always write well and am able to stay in my seat longer when the weather is nasty outside. I figure no one is doing anything fun outside, so I'm not missing anything! 

The temperature outside is right around 66*, so I feel cozy and warm inside with my sweats, sweater, socks and fuzzy boots--my favorite writing outfit. Actually, that's my favorite Fall outfit when I'm home! I've made necessary phone calls, emailed two friends and yes, I checked Facebook. I have a personal FB page and an author page which I keep up-to-date. I even tweeted a few lines to keep current and refer readers back to my blog. All necessary!

This morning, I've decided to read the novel-length manuscript of my historical novel, A Decent Woman, like a new reader would. I'm putting all markers, pens and pencils away and I'm turning off the cell phone. I will make a pot of tea, draw the curtains closed and sit on my couch with my fuzzy blue blanket over me to read my full manuscript...before I make any changes. That's a tough call for me at this point in the life of my book. I immediately see things that I could reword, improve on and explain more clearly! Argh! But, I'm holding back this morning.

I've hired the editor, done the rewrites and then, rewrote some more. I've taken out chapters that weren't helping with story momentum and fleshed out my protagonist even more. I've done all I can humanly do at this point, so all that's left is to reread my story from beginning to end.

Stay warm out there! I'm headed to 1900 Ponce, Puerto Rico in my mind and mind's eye...see ya on the flip side :-)

Ellie

What Would Dona Ana Say?

Years after writing my first novel-length manuscript, A Decent Woman, I'm still in love with my Afro-Cuban protagonist Ana. I've often joked that she is who I'd like to be when I grow up and I wish I'd met the midwife who helped birth my mother, two maternal aunts and my uncle. Dona Ana was my grandmother's comadre, her midwife.

There are no known photographs of Ana in my family photo albums, but from my grandmother's descriptions, I could see her clearly in my mind's eye--ebony skin, white turban, gold argollas (hoop earrings), and long, flowery skirts.  The stories I heard grandmother, my mother, Mercedes, and my Aunt Elena tell about this quiet heroine always stayed in my mind and heart. Ana was the perfect character for my novel, a composite of my grandmother, my mother and of course, little bits of myself.

If I were to describe my character Ana from the stories I heard, I'd describe her as a courageous, tough-as-nails woman with a heart of gold and a great sense of humor. A quiet champion for the rights of women and children, a pillar of her small community, the Playa de Ponce, a port town in the southwest coast of Puerto Rico. In my writerly mind, Ana was this woman, however, she had to harbor a secret or two and face a few challenges which are the reasons she fled from Cuba to Puerto Rico on a cargo ship in the early mornings hours. I added another secret in Ana's life that comes into play after she befriends and tries to protect two prostitutes from their pimp and a local Ponce policeman.

With the research I uncovered for my novel, it was easy to imagine Dona Ana as a spiritual woman who straddled two worlds--the world of an African slave who practiced the Yoruba religion brought by her parents from Nigeria to Cuba and Catholicism, the religion she was taught by the priests who took her in when she lands on the shores of Puerto Rico, la Isla del Encanto, the Isle of Enchantment.

If I had to describe Dona Ana in one word...I'd choose integrity. Throughout my novel, Dona Ana shows true courage and nerves of steel, with periods of self-doubt, fear and low self-esteem, mostly because of her slavery past and the treatment of workingwomen of color and mixed race in Puerto Rico in the early 1900's. After all, Ana was a woman of flesh and blood. Then and now, it isn't a stretch to relate to Ana.

If Dona Ana were alive today, I would sit at her feet as I did with my grandmother, Meme, when I was a child. I'd absorb and digest every story and her stories would never got old. My grandmother and mother were great storytellers. During every summer and holiday vacation to visit my family in Puerto Rico, we'd ask Meme to tell us about the old days and she never disappointed us. With a glint in her eye and a big smile, she'd begin and we were her rapt audience for hours, listening to vivid tales of Puerto Rico in the old days, and her cast of characters which often included Dona Ana.

I was especially interested in the birthing practices on the island in those days, more so when I was pregnant with my two children. I was fortunate and blessed to have Meme and my mother with me when I gave birth to my children. It now seems as if I was pregnant with Ana's story since I was a young woman and now, as a 56-year woman, it's time to birth this baby.

I've often said that I channeled Dona Ana as I wrote the first draft of A Decent Woman. I could see my characters and hear their voices in my mind's eye. I wonder what Dona Ana thinks of my novel? What would she say to me if she could?

I like to think that Meme, my mother Mercedes, and Ana, all passed on now, would be very pleased with me.

Peace and love,

Ellie